Read this passage from Dragonwings by Laurence Yep. "Very good." Father took the card and put it carefully away in his pocket. "Did you see that demon's face, Moon Shadow? He was surprised when I fixed his carriage. Machines aren't all bad. Some of them may be the true magic. We might not be able to speak too well with the demons, but in machines there's a language common to us all. You don't have to worry about your accent when you're talking about numbers and diagrams."

I was getting excited. "Maybe the Dragon King was right. Maybe the magic takes a different form in our land. Maybe that's why you don't need words for it."

Father wiped his hands on an old rag in the back of the wagon. Then he held up his hands. He had not been able to get off all the oil, for the lines of his hands were still black.

"Well, you know, repairing the horseless carriage was a lot like healing the Dragon King. My hands just seemed to know what to do."

In this passage, what revelation do the narrator and his father have about the setting?

that the Americans may not be demons after all
that magic is more important than modern machinery
that a common language is not always necessary for communication
that it will be difficult to find a common ground with the Americans

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.

Critical reading what do you think keats means in these lines from "when i have fears that i may cease to be"? i may never live to trace / their shadows, with the magic hand of chance a. i may never live to paint pictures of them. b. i may never have a chance to look at them again. c. i may never leave the shadows as long as i live. d. i may never live to write about them. select the best answer from the choices provided

What type of conflict is shaping susan’s development