Read the following selection from Act III of Romeo and Juliet. What JULIET
Shall I speak ill of him that is my husband?
Ah, poor my lord, what tongue shall smooth thy name,
When I, thy three-hours wife, have mangled it?
But, wherefore, villain, didst thou kill my cousin?
That villain cousin would have kill'd my husband:
Back, foolish tears, back to your native spring;
Your tributary drops belong to woe,
Which you, mistaking, offer up to joy.
My husband lives, that Tybalt would have slain;

Romeo and juliet have fallen in love, even though their families despise one another. based on the excerpt, what are the two main purposes of this prologue?

Read the excerpt from the war of the worlds, in which the first martian exits the spacecraft. a sudden chill came over me. there was a loud shriek from a woman behind. i half turned, keeping my eyes fixed upon the cylinder still, from which other tentacles were now projecting, and began pushing my way back from the edge of the pit. i saw astonishment giving place to horror on the faces of the people about me. i looked again at the cylinder, and ungovernable terror gripped me. i stood petrified and staring. what option accurately analyzes the impact of the narrator's thoughts and actions on the tone of the excerpt? the war of the worldsa disdainful tone is created as the narrator ponders the ugliness of the tentacles and turns to the shrieking woman. a melancholy tone is created by the narrator's thoughts of fear and refusal to avert his eyes. a tone of determination is created when the narrator thinks of escape and backs away from the edge of the pit. a fearful tone is created through the narrator's thoughts of horror and his glance at the cylinder.

Question 15 of 25 2 points read the following excerpt from a speech: it has been suggested that all automobiles be converted to electric power by the year 2020. _ there simply isn't the infrastructure in place to accommodate such a change. which word or phrase best connects the ideas in these sentences? o a. nowadays o b. therefore o c. in contrast o d. unfortunately