PROJECT: MULTIMEDIA PRESENTATION Imagine the following situation: You are up in the front of your classroom,
ready to give your presentation. You have your media piece all ready and
your teacher nods, indicating that you can begin. You open your mouth to
begin the speech that you have worked so hard to prepare. You finish the
speech in the allotted five minutes, and your teacher smiles. Everything
has gone smoothly. Not just smoothly, but better than you ever did in any
of your practice sessions. Your class applauds and cheers. Your teacher
states that yours is the best presentation she has heard in her career and
gives you an A+, You sit down and soak in the adulation.
Okay, so all that probably won't happen, but if you know your presentation
inside and out, things should go smoothly for you.
In this project you'll become more familiar with how to give a presentation.
OBJECTIVES
Deliver a multimedia presentation describing a complex process.
Take one last look at the rubric below. Make sure that you have prepared for everything that is required of you. If you find
something that you need to add, do so quickly, but don't make any large alterations to your presentation at this point.

for this, you need to remember something significant in your own life, for example, if you were bullied when you were younger, you can mention your memories on this and touch on how such treatment can harm other kids your age either physically or mentally. (racism, car crashes, a parent in the hospital are all very good subjects, think hard on it! )

hope i ! : )

word count 168

serve the people! ,” smoothly translated by julia lovell, offers an initial sample of yan lianke’s writing to an english-speaking audience. a bluntly drawn, mildly erotic fable, it teases mao zedong by poking fun at a true believer who obeys the chairman’s precepts too literally. to a western sensibility, the broad strokes of yan lianke’s humor would seem to pose little risk of inciting rebellion, whether of the flesh or of the body politic. but then, part of the book’s attraction is that it doesn’t have a western sensibility. it lets the reader see — or rather, intuit — what jokes chinese officials don’t consider funny, and how very little it takes for a writer to be branded an incendiary in 21st-century china, more than three decades after the death of mao, a decade after the death of deng xiaoping and seven years since china entered the world trade organization, a move that would seem to signal a willingness (however wary) to mingle with the rest of the world.