In the section Hollywood targets children with climate fears how does inhofe attract DiCaprio’s use of emotion appeals in the film what rhetorical choices does inhofe make when constructing that attact is his attack effective?

Explanation:

Senator James Inhofe replying indirectly to Leonardo DiCaprio's earlier statement in which he said: "I want the public to be very scared by what they see. I want them to see a very bleak future", responded with a harsh rhetoric saying: "..it is important to take note of our pop culture propaganda campaign aimed at children".

Remember, it all began in 2017 when Leonardo DiCaprio released a science based movie centered on climate change that presented terrifying facts about the future of the climate, which critics such as Senator Ihofe at the time called highly exaggerated.

no, i never do because that’s not the reason for what i speak to or of.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran