1. Read the excerpt from "Ode on a Grecian Urn" by John Keats.

Bold Lover, never, never canst thou kiss,

Though winning near the goal-yet, do not grieve;

She cannot fade, though thou hast not thy bliss,

Forever wilt thou love, and she be fair!

Which statement best represents the meaning of these lines?

O A The lovers have won each other's love and do not need to worry.

OB The youth and the beauty of the lovers will never go away.

O C The speaker grieves enough for both of the lovers: they "do not grieve."

OD The young man has a bliss that is separate from that of the woman.

Which statement best describes a difference between the poem "ellis island" and the essay ": a native american view"? the poem discusses difficulties encountered by europeans, but the essay does not. the essay discusses the identity of the author, but the poem does not. the poem discusses immigration in the nineteenth and twentieth centuries, but the essay does not. the essay discusses hopes for america, but the poem does not.

In this excerpt from "quality" by john galsworthy, which two parts clearly indicate the literary point of view of the essay? that tenement had a certain quiet distinction; there was no sign upon its face that he made for any of the royal family—merely his own german name of gessler brothers; and in the window a few pairs of boots. i remember that it always troubled me to account for those unvarying boots in the window, for he made only what was ordered, reaching nothing down, and it seemed so inconceivable that what he made could ever have failed to fit. had he bought them to put there? that, too, seemed inconceivable. he would never have tolerated in his house leather on which he had not worked himself. besides, they were too beautiful—the pair of pumps, so inexpressibly slim, the patent leathers with cloth tops, making water come into one's mouth, the tall brown riding boots with marvellous sooty glow, as if, though new, they had been worn a hundred years. those pairs could only have been made by one who saw before him the soul of boot—so truly were they prototypes incarnating the very spirit of all foot-gear. these thoughts, of course, came to me later, though even when i was promoted to him, at the age of perhaps fourteen, some inkling haunted me of the dignity of himself and brother. for to make boots—such boots as he made—seemed to me then, and still seems to me, mysterious and wonderful.

How does evidence support the claim? claim: the great wave is the most historically significant artifact within japanese culture