What is not a way to create tension in a plot?

a. conflict
b. language
c. sequence of events
d. resolution

Resolution

The resolution of the story is the end. All of the conflicts are solved and subplots are wrapped up. Tension usually builds as the conflict begins and becomes more complicated. The author does this through the sequence of events, language, conflict, sentence structure, tone, and mood. The resolution is not an area of tension in a story. If there is, usually it's so that there can be a sequel.

D

Explanation:

Definitely Resolution, all other listed ways have a much higher degree of creating tension in the plot. By eliminating the most probably ways of creating tension in the plot, we will be left with resolution.

wordsworth tends to see nature as 'out there'; a presence which surrounds humans, and contributes to human life, but is different from humans. if you look at a typical wordsworth poem (there was a boy, ye knew him well ye rocks) - wordsworth talks about nature as something that needs to be learned about and understood, nature is different from us.  

if you look at a byron poem (the isles of greece is a good one) - byron looks at nature mainly for what it already means to man. wordsworth will look at a landscape and see the mountains, trees, valleys, and rivers as almost spiritual presences - wordsworth wants to get to know nature.  

byron will look at the same landscape and he will want to know who lives there, what are the villages? are there any farms or mines, is there some history?  

wordsworth looks at nature for what it is; byron is forever asking what it means.  

wordsworth thinks that humans are part of nature; byron thinks that nature is part of being human

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