As her sister drove Shonda to the police station, questions ping-ponged through her mind. Where had Sam and his cousin really been? How did they even come in contact with the police? What is this "misunderstanding"? Sam had never been involved in any trouble, much less legal trouble. Did she really know Sam?

A scene flashed into Shonda's mind. Her wedding day. Shonda looked beautiful in her wedding dress with the long white train trailing behind it, and Sam looked as handsome as he ever had. They smiled as they recited their vows.

As she reflected on this day, Shonda's heart began to slow and she smiled for the first time since the phone had rung.
In this portion of the narrative, the author uses a flashback to develop the relationship between Shonda and Sam. However, the flashback does not address the questions that Shonda asks in the paragraph before it, making the character’s response in the paragraph after the flashback illogical. Rewrite the flashback scene, so it develops the relationship between the characters seen later in the story.

What is a career pathway for human services?

Athesis statement can be controversial

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.