Will give brainliest me!
1. in the crucible mary warren’s inability to faint on-demand demonstrates the power of select one: a. name-calling. b. flattery. c. transfer. d. bandwagoning. (b is not correct)

2. in sinners in the hands of an angry god the shift in this piece occurs when edwards says a “therefore, let every one that is out of christ, now awake and fly from the wrath to come.”,
b “…but here you are in the land of the living and in the house of god, and have an opportunity to obtain salvation.”
c “and now you have an extraordinary opportunity, a day wherein christ has thrown the door of mercy wide open, and stands in calling and crying with a loud voice to poor sinners” (c is an incorrect answer)
d “how can you rest one moment in such a condition? are not your souls as precious as the souls of the people at suffield*, where they are flocking from day to day to christ? ”

What is the main idea of “young lions, young ladies”?

Read the excerpt from henry wadsworth longfellow’s translation of an excerpt from dante’s inferno and answer the question. but inasmuch as never from this depth did any one return, if i hear true, without the fear of infamy i answer . . “the love song of j. alfred prufrock” begins with an excerpt from dante’s inferno. which two statements express how this source material contributes to the mood of the poem? click here to read the poem. the inferno excerpt introduces a mood of horror that eliot elaborates throughout the poem. the inferno excerpt introduces a mood of enthusiasm that eliot argues against throughout the poem. the inferno excerpt introduces a mood of boldness that eliot continues throughout the poem. the inferno excerpt introduces a mood of shame that eliot explores throughout the poem. the inferno excerpt introduces a mood of enlightenment that eliot mocks throughout the poem. next question ask for

Ehat is the purpose of an arguement conclusion