Which of the following can satisfy the need to belong?

a. owning a large and comfortable house

b. having easy access to food and drink

c. family and friends

d. doing the right thing

what makes a hero is someone who tries and acres and then heps to save people

question: why should you take some time to reflect on the interview after it's over?

answer: to review what went well and learn how to do it better next time

explanation: you do this so incase you did bad on this interview you can reflect back on it and fix the mistakes you missed and when you do another interview you will do great because you reflected and studied what you did wrong

question answered by

(jacemorris)

c is the answer because first she would blush to make the reader wonder why which they find out in the next line.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran