It was about dusk, one evening during the supreme madness of the carnival season, that i encountered my friend. he accosted me with excessive warmth, for he had been drinking much. the man wore motley. he had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. i was so to see him that i thought i should never have done wringing his hand.

how does the use of the word wringing rather than shaking impact the story?

the author uses advanced vocabulary to highlight the intelligence of the narrator.
the author is creating suspense by foreshadowing the danger that faces fortunato.
the author is emphasizing a negative view of fortunato.
the author is contrasting montresor’s positive attitude with his actual actions.

Read the excerpts from “take the tortillas out of your poetry” and “speaking arabic.” my friend had concluded that if he took his language and culture out of his poetry, he stood a better chance of receiving a fellowship. he took out his native language, the poetic patois of our reality, the rich mixture of spanish, english, pachuco and street talk which we know so well. in other words, he took the tortillas out of his poetry, which is to say he took the soul out of his poetry. at a neighborhood fair in texas, somewhere between the german oom-pah sausage stand and the mexican gorditas booth, i overheard a young man say to his friend, “i wish i had a heritage. sometimes i feel—so lonely for one.” and the tall american trees were dangling their thick branches right down over his head. which best states how the structures of both excerpts support ideas about cultural diversity? each incorporates non-english words. each incorporates academic words. each incorporates offensive words. each incorporates nonsense words.