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to permanently stem this flow of children, we must
address the complex root causes of violence in honduras,
as well as the demand for illegal drugs in the united
states that is fueling that violence
in the meantime, however, we must recognize this as a
refugee crisis, as the united nations just recommended
these children are facing threats similar to the foneel
conscription of child soldiers by warlords in sadam
during the civil war in bosnia. being forced to dnes
by narcos is no different from being forced into military
service.
""the children of the wor
il presents an opinion about the topic
it criticizes or praises the actions of others
it appeals to emotions to persuade readers.
tells a story in third-person point of view.
it creates a call to action for readers.
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awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran