Read the passage from “cruel tribute.”

years passed by. every spring when the roses began to bloom seven youths and seven maidens were put on board of a black-sailed ship and sent to crete to pay the tribute which king minos required. in every house in athens there was sorrow and dread, and the people lifted up their hands to athena on the hilltop and cried out, "how long, o queen of the air, how long shall this thing be? "

in the meanwhile the little child at troezen on the other side of the sea had grown to be a man. his name, theseus, was in everybody's mouth, for he had done great deeds of daring; and at last he had come to athens to find his father, king aegeus, who had never heard whether he was alive or dead; and when the youth had made himself known, the king had welcomed him to his home and all the people were glad because so noble a prince had come to dwell among them and, in time, to rule over their city.

in this excerpt, the sequence of events creates suspense by

i think it is called the president's cabinet.

the illustration   that would give a reader a clear understanding of the text is a picture of men constructing the frame of a building.the frame is made of iron bars. the text describes the job of blacksmiths'. these were very organised and they had different names: "the driver" and "the heater". the text describes the way in which these men worked ; they worked iron pieces as if they were playing a sport. in fact, the text wants to show the men's skills. the text also puts some emphasis on the use of '' rivets'' in construction. this kind of nails were not always used in the construction of manhattan.

some examples:

"and with an underhand toss he hurled the smoking rivet straight at the catcher, who caught it in mid-air in his catching can." men's skills

"when the driver was ready for a new " the emphasis on the rivet ( special nail used in construction).

" it against a beam to remove any cinders, and jammed it into the waiting hole. " the emphasis on the rivet.

chapter i -- paris: september, 1792

a surging, seething, murmuring crowd of beings that are human only in name, for to the eye and ear they seem naught but savage creatures, animated by vile passions and by the lust of vengeance and of hate.

during the greater part of the day the guillotine had been kept busy at its ghastly work: all that france had boasted of in the past centuries, of ancient names, and blue blood, had paid toll to her desire for liberty and for fraternity.

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