Based on the riddle of the rosetta stone, how do the findings of jean-françois champollion differ from the findings of thomas young?

a. unlike young, champollion used his knowledge of the coptic language, which allowed him to decipher some of the hieroglyphs on the rosetta stone.
b. unlike young, champollion changed the spelling of “ptolemy” to “ptolmis,” which allowed him to decipher some of the hieroglyphs on the rosetta stone.
c. unlike young, champollion traveled to egypt, which allowed him to study other hieroglyphic inscriptions and decipher the hieroglyphs on the rosetta stone.
d. unlike young, champollion had extensive mathematics knowledge, which allowed him to decipher the hieroglyphs on the rosetta stone.

"spring, the sweet " from summer's last will and testament spring, the sweet spring, is the year's pleasant king, then blooms each thing, then maids dance in a ring, cold doth not sting, the pretty birds do sing: cuckoo, jug-jug 1 , pu-we, to-witta-woo! the palm2 and may3 make country houses gay, lambs frisk and play, the shepherds pipe4 all day and we hear aye5 birds tune this merry lay6: cuckoo, jug-jug, pu-we, to-witta-woo! the fields breathe sweet, the daisies kiss our feet, young lovers meet, old wives a-sunning sit, in every street these tunes our ears do greet: cuckoo, jugjug, pu-we, to-witta-woo! spring, the sweet spring! –thomas nashe jug-jug: sound of the nightingale palm: willow may: hawthorn pipe: play a shepherd's flute aye: always lay: song choose the sense that the poet appeals to in the last two lines of each stanza.

How does the play resolve the conflict between conscience and law? creon acts according to the law, not the conscience of advisors, and is punished. each character chooses familial loyalty over civil obedience and is punished. the deaths of haemon and eurydice fulfill the prophecy. creon sentences antigone to death even though haemon asks him to reconsider.

"edna, dear, are you not coming in soon? " he asked again, this time fondly, with a note of entreaty. "no, i am going to stay out here." "this is more than folly," he blurted out. "i can't permit you to stay out there all night. you must come in the house instantly." which best explains how chopin's use of language represents her style?