Read the passage from a doll’s house.
helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle.
nora: [moving towards the stove]. as you , torvald.
helmer: [following her]. come, come, my little skylark must not droop her wings. what is this! is my little squirrel out of temper? [taking out his purse.] nora, what do you think i have got here?
nora: [turning around quickly]. money!
helmer: there you are. [gives her some money.] do you think i don't know what a lot is wanted for housekeeping at christmas-time?
nora: [counting]. ten shillings—a pound—two pounds! you, you, torvald; that will keep me going for a long time.
helmer: indeed it must.
how does the author use the character of torvald helmer to explore a social issue?
by revealing the changes that can happen to a person who has gotten wealthy quickly
by revealing attitudes related to spending and saving that many men held during the victorian era
by revealing the bad financial advice that was given to many people in the victorian era
by revealing the hardships that fell on many people who lived during the victorian era

what excerpt? i would generally think a.

the metamorphosis is based on an evident father-son problem. this story shows, as a result of the unthinkable transformation of the son in an insect, the deformation and destruction of the individual caused by the authoritarian and hierarchical structures of the family. the narrative begins with the transformation into an insect of enormous proportions of the traveling salesman gregor samsa, a lonely, introverted and submissive, who keeps his family with his work. when he worked, he was appreciated by everyone, but, now that he can not work, he is despised, especially by his father, but this is going to be joined, painfully for the protagonist, first his mother and, finally, his own sister, grete, with whom he had held a special relationship of complicity and affection for many years.

condemned by a deep sense of responsibility, gregor fears the reaction that his frightful aspect will incite in his family. he feels guilty for not being able to continue being useful to the beings he maintained. his own family, however, is ashamed and runs away from him, and even tyrannizes and resists him. the father, of a severe and despotic character, humiliates him and treats him with great cruelty. all his attempts to escape from the confinement to which he is subjected in his own room fail before the hostile rejection of the beings that surround him. prisoner in his lair and unable to continue playing the only function of making money he had, finally chooses, with the consent of his parents and sister, to die of starvation. with this, he is freed from a servile and unhappy existence. the family appreciates gregor while he fulfills the interests. but when he is unable to continue earning money, it becomes a problem, a shame, and family relationships begin to become tense, until coexistence becomes impossible.

where is the drop down menu and where are the answers