Read the sixth paragraph from muir's essay "calypso borealis" and answer the question. [6] oftentimes i had to sleep without blankets, and sometimes without supper, but usually i had no great difficulty in finding a loaf of bread here and there at the houses of the farmer settlers in the widely scattered clearings. with one of these large backwoods loaves i was able to wander many a long wild fertile mile in the forests and bogs, free as the winds, gathering plants, and glorying in god's abounding inexhaustible spiritual beauty bread. storms, thunderclouds, winds in the woods—were welcomed as friends. select two words or phrases from the text that demonstrate muir's awe of nature. "without blankets" "free as the winds" "gathering plants" "scattered clearings" "spiritual beauty bread"

connections  to the  book night by elie wiesel.   elie wiesel  is a holocaust survivor. as a young, jewish boy he was taken from his home with his family by the nazis. he was taken because he is jewish.

the answers are;

d. it reveals hamlet’s hesitation to act.

a.it reveals hamletâs anger with himself.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran

read the story and if your still stuck then i'll .