98 points! assignment the bitter end write at least one full paragraph for each question below. use evidence from the text to support your responses. underline the three module vocabulary words you have used in your answers. how is the descent into savagery foreshadowed in the novel? provide three examples of its foreshadowing. how are piggy, his glasses, and the conch symbolically linked in the novel? what is the relationship between the beast and the lord of the flies? these are the vocab words btw : naive wound minute bass entrance blossom cache ferret incense foreshadow hostility homograph no plagarism

When the ball is in david's court for a trim, mr samuels puts a wooden board secured with a bit of oxblood red calfskin over the arms of the seat, so the stylist doesn't need to stoop to trim the kid's hair. david scrambles up onto the seat. . david feels like he is in a different universe, silent aside from the scraping of the hairdresser's shoes on the lino and the snap of his scissors. in the reflection from the window he could see through the window, a couple of little mists moved gradually through the edge, moving to the sound of the scissors' snap. lethargically, his eyes dropping to the front of the cape where his hair falls with a similar delicate quality as snow and he envisions sitting in the seat simply like the men and more seasoned young men, the extraordinary seat left inclining toward the divider in the corner. select the appropriate response that accurately recognizes the story's account perspective and clarifies why the story's storyteller might be untrustworthy. a. first-individual; the storyteller is a character in the story b. third-individual (omniscient); the storyteller knows every one of the characters' contemplations c. third-individual (constrained); the storyteller just knows one character's musings d. first-individual; the storyteller isn't a functioning character in the story

source text: from the sketch here given it will be seen, that our good grandmothers differed considerably in their ideas of a fine figure, from their scantily dressed descendants of the present day. a fine lady, in those times, waddled under more clothes even on a fair summer's day, than would have clad the whole bevy of a modern ball room. nor were they the less admired by the gentlemen in consequence thereof. on the contrary, the greatness of a lover's passion seemed to increase in proportion to the magnitude of its object—and a voluminous damsel, arrayed in a dozen of petticoats, was declared by a low-dutch sonnetteer of the province, to be radiant as a sunflower, and luxuriant as a full blown cabbage. certain it is, that in those days, the heart of a lover could not contain more than one lady at a time; whereas the heart of a modern gallant has often room enough to accommodate half a dozen - - the reason of which i conclude to be, either that the hearts of the gentlemen have grown larger, or the persons of the ladies smaller — this however is a question for physiologists to determine. add punctuation to the following excerpt. writing under the name of diedrich knickerbocker washington irving aimed his potent satire at as diverse topics as political rivals such as thomas jefferson to the very ideal of looking back on the past affectionately: a fine lady, in those times, waddled under more clothes even on a fair summer's day, than would have clad the whole bevy of a modern ball room. a voluminous damsel, arrayed in a dozen of petticoats, was declared by a low-dutch sonnetteer of the province, to be radiant as a sunflower, and luxuriant as a full blown cabbage. in those days, the heart of a lover could not contain more than one lady at a time; whereas the heart of a modern gallant has often room enough to accommodate half a dozen

what lesson are you referencing?