Read the excerpt from julius caesar, act 1, scene 2. cassius. 'tis just; and it is very much lamented, brutus, that you have no such mirrors as will turn your hidden worthiness into your eye, that you might see your shadow. i have heard5 where many of the best respect in rome— except immortal caesar—speaking of brutus, and groaning underneath this age’s yoke, have wished that noble brutus had his eyes. brutus. into what dangers would you lead me, cassius,10 that you would have me seek into myself for that which is not in me? cassius. therefore, good brutus, be prepared to hear. and since you know you cannot see yourself so well as by reflection, i, your glass,15 will modestly discover to yourself that of yourself which you yet know not of. what do the symbols of mirrors and glass represent in this excerpt? the importance of appearance the need to be powerful the desire to grow stronger the ability to see one’s worth

#4 The ability to see one's worth

Explanation:

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the answer is b "spewing black smoke", i took the test and got 100%   hope i

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serve the people! ,” smoothly translated by julia lovell, offers an initial sample of yan lianke’s writing to an english-speaking audience. a bluntly drawn, mildly erotic fable, it teases mao zedong by poking fun at a true believer who obeys the chairman’s precepts too literally. to a western sensibility, the broad strokes of yan lianke’s humor would seem to pose little risk of inciting rebellion, whether of the flesh or of the body politic. but then, part of the book’s attraction is that it doesn’t have a western sensibility. it lets the reader see — or rather, intuit — what jokes chinese officials don’t consider funny, and how very little it takes for a writer to be branded an incendiary in 21st-century china, more than three decades after the death of mao, a decade after the death of deng xiaoping and seven years since china entered the world trade organization, a move that would seem to signal a willingness (however wary) to mingle with the rest of the world.