Astudent is writing an essay for an american literature class. read the draft of a paragraph from the essay.

zora neale hurston was an american writer whose work often portrayed the culture of african americans living in small towns in the southern united states. she is perhaps best known for her novels their eyes were watching god (1937) and tell my horse (1938) as well as her stunning autobiography, dust tracks on a road (1942). hurston was also a college professor and enjoyed a fruitful career as a writer, but as she grew older, much of her work seemed to be forgotten. in the late twentieth century—a number of decades after her death in 1960—her work became popular once again and her readership dramatically increased. the thematic importance of her literary contributions was once again recognized.

which research question would best further develop the student’s topic?

question 7 options:

what did hurston study as an undergraduate in college?

which themes is hurston best known for exploring in her work?

what are some common causes of an increase in readership of an author’s work?

what are some of the most popular autobiographies written by modern authors?

walter refusing lindner's offer.

the third paragraph is the the soltion or ending of a story

hey u wanna know go and find u some one to u here it isn’t full

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran