With his great hands he had laid the foundations, burrowed out deep musty cellars in the earth, and sheeted the tall sides over with smooth trowellings of warm brown plaster. he had very little money, but his strange house grew to the rich modelling of his fantasy: when he had finished he had something which leaned to the slope of his narrow uphill yard, something with a high embracing porch in front, and warm rooms where one stepped up and down to the tackings of his whim.

which best describes the author’s use of style in this excerpt?

a. the author uses words such as fantasy and whim to suggest oliver’s unconventional personality.
b. the author uses words such as burrowed and leaned to suggest oliver’s inept attempt at building.
c. the author uses words such as foundations and trowellings to suggest oliver’s expertise.
d. the author uses words such as money and rich to suggest oliver’s interest in consumerism.

Can you answer number 5 for me . hurry

Read the sentences below. (1) wordsworth believed that poetry should present the ordinary in unusual ways, and shelley's "ode to the west wind" does just that. (2) in the poem, the speaker calls the wind "thou breath of autumn's being." (3) later in the poem, the speaker refers to the wind as both "destroyer and preserver." which word or phrase would smooth the transition between sentence 1 and sentence 2? a "in addition" b "finally" c "for instance" d "moreover"

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification