Both the title and epigraph of nectar in a sieve allude to

I believe the correct answer is: "Work without Hope" by Samuel Taylor Coleridge.

     An epigraph in literature represents a phrase, quotation, or poem at the beginning of a literary work as a link to the wider literary canon, which has the function of either inviting the comparison or to enlist a conventional context.

     The epigraph in Kamala Markandaya’s novel “Nectar in a Sieve” (1954) is:

“Work without hope draws nectar in a sieve,

And hope without an object cannot live.”

     This epigraph and the title of Markandaya’s novel represent last two verses of "Work without Hope" by Samuel Taylor Coleridge, and, therefore, allude and converse to that literary work. However, the epigraph does not answer the question of whether the characters actually have hope.

idk tbh because i'm just getting points.

source text: from the sketch here given it will be seen, that our good grandmothers differed considerably in their ideas of a fine figure, from their scantily dressed descendants of the present day. a fine lady, in those times, waddled under more clothes even on a fair summer's day, than would have clad the whole bevy of a modern ball room. nor were they the less admired by the gentlemen in consequence thereof. on the contrary, the greatness of a lover's passion seemed to increase in proportion to the magnitude of its object—and a voluminous damsel, arrayed in a dozen of petticoats, was declared by a low-dutch sonnetteer of the province, to be radiant as a sunflower, and luxuriant as a full blown cabbage. certain it is, that in those days, the heart of a lover could not contain more than one lady at a time; whereas the heart of a modern gallant has often room enough to accommodate half a dozen - - the reason of which i conclude to be, either that the hearts of the gentlemen have grown larger, or the persons of the ladies smaller — this however is a question for physiologists to determine. add punctuation to the following excerpt. writing under the name of diedrich knickerbocker washington irving aimed his potent satire at as diverse topics as political rivals such as thomas jefferson to the very ideal of looking back on the past affectionately: a fine lady, in those times, waddled under more clothes even on a fair summer's day, than would have clad the whole bevy of a modern ball room. a voluminous damsel, arrayed in a dozen of petticoats, was declared by a low-dutch sonnetteer of the province, to be radiant as a sunflower, and luxuriant as a full blown cabbage. in those days, the heart of a lover could not contain more than one lady at a time; whereas the heart of a modern gallant has often room enough to accommodate half a dozen