English, 17.07.2019 02:30 abbygriffin8575
In "interview with simon ortiz," ortiz describes exploitation and cultural appropriation: so it’s a rip-off and, of course, indian writers are not immune from doing some of the same things non-indian writers do—maybe they do it less, or maybe they are more excused when they do it. how does ortiz's use of informal language in this excerpt affect the text? it create the interview's combative, hostile tone. it conveys the interview's cynical, detached tone. it gives the interview a more personal, familiar tone. it exemplifies the jovial, exuberant tone of the interview.
Answers: 1
English, 21.06.2019 17:00, supershannon103
In 1896, a 308-page edition of the american wheelmanearned the distinction of being "the largest magazine ever issued from a printing press,” according to the advertising journal printers’ ink. which accurately describes this statement? it is subjective because the information contained in this statement cannot be proven. it is subjective because everyone would agree with the information contained in this statement. it is subjective because the information contained in this statement can not be proven. it is objective because the information contained in this statement can be proven. it is objective because not everyone would agree with the information contained in this statement.
Answers: 3
English, 21.06.2019 22:30, Babymo
Seven pleiades entranced in heaven, form in the deep another seven: endymion nodding from above sees in the sea a second love. how do the ideas in the excerpt compare to poe’s ideas in "the poetic principle"? this celebration of love offers the “lessons of truth” that poe encourages. this scientific reference relates to the “precepts of duty” that poe praises. this reflection of the night sky offers a “contemplation of the beautiful” that poe encourages. this image of heaven encourages the “incitements of passion” that poe praises.
Answers: 3
In "interview with simon ortiz," ortiz describes exploitation and cultural appropriation: so it’s a...
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