English questions| and you read this excerpt from "goodbye to all that" by joan didion. part of what i want to tell you is what it is like to be young in new york, how six months can become eight years with the deceptive ease of a film dissolve, for that is how those years appear to me now, in a long sequence of sentimental dissolves and old-fashioned trick shots—the seagram building fountains dissolve into snowflakes, i enter a revolving door at twenty and come out a good deal older, and on a different street. how does joan didion's extended metaphor of comparing her time in new york to a movie affect the meaning of this excerpt? 1| it subtly suggests that didion's experiences in new york have been fictionalized, which calls the truthfulness of her account into question. 2| it highlights didion's belief that all people who live in new york feel as though they are the stars of an epic film about their

In the metaphor used by Joan Didion extended she refers to her time in New York as a movie, she always love that city, however, now she think that the city is just for young people and the city makes them feel as the starts in their own movie, but with past of the time it would become a “a film dissolve”, the answer is 2| It highlights Didion's belief that all people who live in New York feel as though they are the stars of an epic film about their.

the author is intending to draw attention to the plight of refugees, editorial and biography support this. both workpieces make the reader empathize with enrique as well as with the other young migrants from central america. the writer, however, is using a different approach to each text.

the editorial includes strong words to persuade readers. he is trying hard to convince readers in the us to change its refugee approach.

the biography relies on narrative techniques and figurative language which the writer uses wisely in the setting, characterization, and personification to educate readers on the topic.

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

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next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?