WILL MARK BRAINLIEST (not for school question) Theoretically, if I wrote every possible combination for a 4 note melody and chord progression, and then I went to write a new song with an 8 note melody, wouldn't I just be reusing two 4 note melodies I already used. And so forth, if I wrote a 16 note melody, would that just be four of the 4 note melodies already used, if all had been used up? And same question for chord progressions. Does this make the amount of piano pieces possible finite?

artists followed a set of rules to achieve ideal proportion.

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.

the answer is true

you welcome