When composing the first of his six "Pomp and Circumstance Marches," Edward Elgar
excitedly told his friend,
A. "I wonder if this piece is going to turn out this time."
B. "It is a poorly written piece - I fear no one will like it."
C. "I've got a tune that will knock 'em--knock 'em flat ... a tune
like that comes once in a lifetime!
Haven't learned this yet.

Stanley, an art historian specializing in european history, wrote a critique of this painting for a newspaper. in a part of the critique, he wrote, “the overall effect of the work suggests that the artist understands the romance of venice and its boating culture.” which step of the critique does this statement represent?

Jim is an aspiring graphic designer looking for a purely technical graphic design position. which degree will him achieve his goal?

Frank gehry’s guggenheim museum in bilbao, spain, and louise bourgeois’s sculpture maman exemplify many of the themes of this chapter. identify two of the elements or principles discussed in this chapter that either the architect or sculptor have used in creating their artwork. how have these artistic devices been employed, and what effect do they have on the viewer?