1.The new public modern music was being driven by new forms of media such as... (5 Points)

Radio

Film Scoring

Phonograph

All of the above
2.What piece by Copeland was premiered by the New York Symphony at Carnegie Hall?
(5 Points)

Sound of the Seas

Symphony for Organ and Orchestra

Lost in France

For America
3.Who inspired Aaron Copeland's outlook on American musicians while he was living in Paris?
(5 Points)

Schoenberg

Igor Smith

Nadia Boulanger

Michael W. Smith
4.The influencer of the 12 Tone series was .
(5 Points)

Arnold Schoenberg

Beethoven

Benny Goodman

Franz Schubert
5.As a young composer, what guided Copeland's early compositions?
(5 Points)

His family

Trends of the time

Political view points

His patrons
6.Appalachian Spring represents one of Copeland's most famous .Immersive Reader
(5 Points)

chamber pieces

sonatas

operas

ballets

romare bearden worked with many types of media which includes cartoons, oils and collages. basically, the use of collage him create emotionally affecting images hence back then he had struggled with his two artistic sides as a student of literature and of artistic traditions and being a black human being which involves very real experiences, fugrative and concrete.thus through the use of collage expressed or showed how his art/work became more representational and more overtly socially concious. he showed how not only were african-american rights moving forward but so was his socially concious art and by then his works became generally considered as best works in 1964.

b. the artist’s use of body language reflects a realistic representation of a person’s feelings.

d. the artist’s choice to include a bright table creates a contrast between the cheerful table and the man’s dark mood.

e. the use of texture emphasizes the man and the dark background compared to the red table, which has no texture.

explanation:

these conclusions are presented in a tone that is appropriate for the art caption. the rest of the options are subjective, which is unnecessary in art.