As photography stole illustration’s traditional function, a new approach to illustration emerged. This more conceptual approach to illustration began with a group of young New York graphic artists: Seymour Chwast, Milton Glaser, Reynolds Ruffins, and Edward Sorel banded together and shared a loft studio. Freelance assignments were solicited through a joint publication called the . Published bimonthly, it featured interesting editorial material from old almanacs illustrated by the group.

Push Pin Almanack

Explanation:

As photography stole illustration’s traditional function, a new approach to illustration emerged. This more conceptual approach to illustration began with a group of young New York graphic artists: Seymour Chwast, Milton Glaser, Reynolds Ruffins, and Edward Sorel banded together and shared a loft studio. Freelance assignments were solicited through a joint publication called the Push Pin Almanack. Published bimonthly, it featured interesting editorial material from old almanacs illustrated by the group.

The publication of the Push Pin Almanack started in 1954 from the Push Pin Studios.

a static shape has a fixed relationship between all of its vertexes. a dynamic shape can vary the position of at least one of its vertexes in relation to the others.