Describe the Phidian style of sculpture as typified in The Three Goddesses. Identify the location and subject matter of Phidias’s sculptural program for the Parthenon.

Although the building was to undergo a number of changes, it remained largely intact until the seventeenth century. The early Christians turned the temple into a church, adding an apse at the east end. It was probably at this time that the sculptures representing the birth of Athena were removed from the centre of the east pediment and many of the metopes were defaced. The Parthenon served as a church until Athens was conquered by the Ottoman Turks in the fifteenth century, when it became a mosque. In 1687, during the Venetian siege of the Acropolis, the defending Turks were using the Parthenon as a store for gunpowder, which was ignited by the Venetian bombardment. The explosion blew out the heart of the building, destroying the roof and parts of the walls and the colonnade.

The Venetians succeeded in capturing the Acropolis, but held it for less than a year. Further damage was done in an attempt to remove sculptures from the west pediment, when the lifting tackle broke and the sculptures fell and were smashed. Many of the sculptures that were destroyed in 1687, are now known only from drawings made in 1674, by an artist probably to be identified as Jacques Carrey.

Explanation:

the above mentioned statements talks about the creativity of an artist and to what extend they can utilize and experiment on the objects provided.   differing size and subjects are given so that an image of wisdom is created. displaying a transition from light to dark in something by darkening sections in order to create a shadow. and lastly, putting bits and pieces together to formulate a new image.