1. Notes and rests have distinctive values. Which of the following notes has the highest value?
A. Dotted half note
B. Whole note
C. Half note
D. Quarter note
2. A note value indicates the relative duration of a
note. How many beats does a whole note receive?
A. 4 beats
B. 3 beats
C.2 beats
D. 1 beat
3. A dot gets 1/2 the value of the note or rest that it
follows. What is the value of a dotted half rest?
A. 1 1/2 beats
B. 3 beats
C.2 beats
D. 2 1/2 beats
4. Which of the following dotted notes receives 1 1/2
beats?
A. Dotted eighth note
B. Dotted sixteenth note
C. Dotted half note
D. Dotted quarter note
5. Notes and rest have time values. Which of the following notes receives 1/2 of a beat?
A. Eighth note
B. Half note
C. Dotted half note
D. Quarter note​

it was vincent van gogh

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.