2(a -3) + 4b - 2(a -b -3) + 5 ngl if yall didn't know what this song was, you'd think it was an 18+ song

Move over, and here I come
Last time was just a warm-up umm
This time, it’s for real party
Stay out of this if you can’t handle it yeah
Gosh, you must feel tight
Let it all go and enjoy yourself to the full, everyone
Turn off the light and light up your eyes all night
Stop hiding your excitement and let it all out
(Hey, come inside now, hey)

Ey I guess this is it
It’s time to think ready to go
This body suffered enough from having a bad owner
I’ll make it up to you, so follow follow me back door
It’s okay since it’s not SECOM
The sound that I’m hearing is a fanfare
Let’s play all night long, what I need is more caffeine
Come if you want, the passcode is Open Sesame

On a dark desert highway, cool wind in my hair warm smell of colitas, rising up through the air up ahead in the distance, i saw a shimmering light my head grew heavy and my sight grew dim i had to stop for the night. there she stood in the doorway; i heard the mission bell and i was thinking to myself 'this could be heaven or this could be hell' then she lit up a candle and she showed me the way there were voices down the corridor, i thought i heard them say welcome to the hotel california such a lovely place (such a lovely place) such a lovely face. plenty of room at the hotel california any time of year (any time of year) you can find it here her mind is tiffany-twisted, she got the mercedes bends she got a lot of pretty, pretty boys, that she calls friends how they dance in the courtyard, sweet summer sweat some dance to remember, some dance to forget so i called up the captain, ' bring me my wine' he said, 'we haven't had that spirit here since nineteen sixty-nine' and still those voices are calling from far away, wake you up in the middle of the night just to hear them say" welcome to the hotel california such a lovely place (such a lovely place) such a lovely face. they livin' it up at the hotel california what a nice surprise (what a nice surprise), bring your alibis mirrors on the ceiling, the pink champagne on ice and she said, 'we are all just prisoners here, of our own device' and in the master's chambers, they gathered for the feast they stab it with their steely knives, but they just can't kill the beast last thing i remember, i was running for the door i had to find the passage back to the place i was before 'relax' said the night man, 'we are programmed to receive. you can check out any time you like, but you can never leave! '

Match these items. match the items in the left column to the items in the right column. 1. aesthetics in art, a technique for defining shape, also used to create a sense of depth 2. composition a perceived line that describes three-dimensional form 3. contour line a method of presenting an illusion of the three-dimensional world on a two-dimensional surface 4. line (pronounced "uhvrr") — a work of art; the sum of the lifework of an artist, writer, or composer 5. oeuvre the way an artist organizes forms (lines, shapes, etc.) in an artwork, either by placing shapes on a flat surface or by arranging forms in space 6. patron the relationship of one part of a person, building, or object to another; for example the size of a statue's head in relationship to the rest of the body 7. personification the study of beauty or good taste; anything related to the study of beauty or good taste 8. perspective giving human characteristics to something that is not human 9. proportion generally a wealthy person who pays an artist to create a work of art; throughout much of history artists could not have survived without "patronage" 10. symbol an object or word or gesture that represents something else

How does the character of the fourth movement compare with the first three? consider such factors as tempo, texture, rhythmic character, and melodic themes. how does the piano concerto compare with johann sebastian bach's brandenburg concerto no. 5 in d major, bwv 1050? what similarities and contrasts do you see between these two works of the same genre? the following questions will you compare them. what instrument is featured as soloist in bach’s brandenburg concerto no. 5? how did the role of the keyboard instrument change from the time of bach to brahms? (hint: was the soloist in bach’s brandenburg concerto usual or unusual? ) where is the cadenza in the opening movement of bach’s brandenburg concerto no. 5? where is the cadenza in the opening movement of brahms’ piano concerto no. 2? which composer’s work featured a larger orchestra? how does this reflect the style period? how is this piece representative of romantic style? consider the instrumentation and orchestra size, scope of the overall work, and elements of character including tempo, texture, and themes. you may want to listen to excerpts from some of the prior movements. click on the play buttons below to listen to movements one, two, and three. you can listen to them in their entirety, or if you prefer, you can just listen to sections to refresh your memory of what these movements sound like.