Hey hey ladies and germs how yall lovely ppl doin tonight? anyone here from outta town? anyone here from in town? anyone here at all? nah im jp but dam tough crowd i havent had a crowd this quiet since the time i farted during a history test in class haha boy was that awkward the goldfish died bc of the smell im jp he died of natural causes (if you call dying from constant dad jokes natural) ah youve been a lovely audience i love ya thank you ill be here until my lease expires

Loved it, truly inspiring words

this...well okay then...

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.