We'll never get free Lamb to the slaughter
What you gon' do
When there's blood in the water?
The price of your greed
Is your son and your daughter
What you gon' do
When there's blood in the water?
Look me in my eyes
Tell me everything's not fine
Or the people ain't happy
And the river has run dry
You thought you could go free
But the system is done for
If you listen real closely
There's a knock at your front door
(Finish the lyrics)

i don't remember the rest of the lyrics but it's a good song and thanks for the points

ITACHI UCHIHA

Explanation:

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.