Im bored, can someone set up a zoom or google meet

Which composer worked for empress maria a. peri b. palestrina c. lassus d. victoria

How does the character of the fourth movement compare with the first three? consider such factors as tempo, texture, rhythmic character, and melodic themes. how does the piano concerto compare with johann sebastian bach's brandenburg concerto no. 5 in d major, bwv 1050? what similarities and contrasts do you see between these two works of the same genre? the following questions will you compare them. what instrument is featured as soloist in bach’s brandenburg concerto no. 5? how did the role of the keyboard instrument change from the time of bach to brahms? (hint: was the soloist in bach’s brandenburg concerto usual or unusual? ) where is the cadenza in the opening movement of bach’s brandenburg concerto no. 5? where is the cadenza in the opening movement of brahms’ piano concerto no. 2? which composer’s work featured a larger orchestra? how does this reflect the style period? how is this piece representative of romantic style? consider the instrumentation and orchestra size, scope of the overall work, and elements of character including tempo, texture, and themes. you may want to listen to excerpts from some of the prior movements. click on the play buttons below to listen to movements one, two, and three. you can listen to them in their entirety, or if you prefer, you can just listen to sections to refresh your memory of what these movements sound like.

How does gianlorenzo bernini's fountain of the four rivers reflect the beliefs of the people during the baroque period of italy? the fountain emphasized the ongoing conflict between artist and patron during the baroque period. the fountain served as a public emblem of the catholic church's dominance and authority. the fountain symbolized the importance of the protestant church as an art patron in italy. the fountain reflected the belief in the complete control of italian royalty over the italian citizens. 1 points save answer question 3 what is a baroque convention bernini used in his david?