I'm empty and broken what is the point? Everything's dark except this light from this joint
Lately they say they hate the way I cope
It's hang from the clouds or hang from a rope
I've done some things for which I can't atone
I grab the blade and cut down past the bone
She'll never love me I know that you'll suk me
I'll hide away and push everyone from me
And in my mind I face resistance
Wanna be alone but I hate the distance
Honestly I don't know what to think now
I know I'm not the best to be around
Wanna die, put me in a coffin
Pop 20 pills hopes nobody stops it
When I die don't act like it's shocking
Gave you all the signs now I'm done talking

bro do you like need help?

Explanation:

wow man that's deep

Explanation:

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.