PLEASE HELP Which of the following describe a round and which do not?
It is a strictly imitative form.
It is a term used interchangeably with monophony.
Voices enter in succession with varied melodies.
It is a type of canon.
Voices enter in succession with the same melody.

A type of canon, Voices enter in succession with the same melody, and It is a strictly imitative form to describe the round. And a term used interchangeably with monophony, Voices enter in succession with varied melodies do not describe the round.

What is round?Round can also be called a perpetual or infinite canon. This is because it is a type of canon that usually allows three type of group of voices  to enter the song in successive ways while they sing the same tune in unisoto. Each voice, within the round, can continue whenever its line within the music finished, thus making a harmonious and melodious cycle.The round is a strictly imitative form because it is a type of canon.In addition, it provides a playful feature to the music that is much acknowledged today.

Therefore, the option A, D and E describes the round and B and C do not describe the round.

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Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.