How did the artist of the above painting attempt to elevate the portrait to a higher status? by using classical and mythological themes
b. by including more technical aspects
by including linear perspective and vanishing point
d by adding a child to the painting
h
Please select the best answer from the choices provided
A
B
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You know time is of the essenceyeah i tried lil babyput your feelings to the side lil babyyou got too much pride lil babyi ain't have time yesterdaybut today i got time lil baby

Perspective is important because it enabled the 3 dimensional world to be translated into the 2d world of the picture plane. this had an immediate impact on the representation of reality in art and design. 

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.