There is an affinity between the posters and prints of Théophile-Alexandre Steinlen and his friend and sometime rival, Henri de Toulouse-Lautrec. Steinlen's first commissions were drawings for . He had a mania for cats and during the 1880s and 1890s became a prolific illustrator. His radical political views, socialist affiliations, and anticlerical stance led him toward social realism, and he chose to depict poverty, exploitation, and the working class. Group of answer choices:

Steinlen's first commissions were drawings for the cabaret owner/entertainer, Aristide Bruant and his Montmartre cabaret "Le Chat Noir".

Explanation:

The "Le Chat Noir" poster today represents one of the most striking works of art of the period known as Belle epoque (1871-1914).nIn addition to his daughter, Colette, cats were Theophilus Steinlen's favorite models.

A drawing of the "Tournee du Chat Noir" announces cabaret tours of the "Black Cat" in French cities.

The place of the Le Chat Noir cabaret was in Montmartre, the bohemian part of Paris. It was opened in late 1881 and in its original form existed until 1897.

the above mentioned statements talks about the creativity of an artist and to what extend they can utilize and experiment on the objects provided.   differing size and subjects are given so that an image of wisdom is created. displaying a transition from light to dark in something by darkening sections in order to create a shadow. and lastly, putting bits and pieces together to formulate a new image.

variety in color and variety in texture