Until 1979 hip-hop music re­mained primarily a local phenom­enon. the first indication of the genre’s broader commercial poten­tial was the 12-inch dance single by a crew based in har­lem. this record popularized the use of the term “rapper” as an equivalent for mc, and to establish their own record label -- a black-owned in­dependent label based in new jersey -- as the predominant institutional force in rap music during the early 1980s. three rappers recited a rapid-fire succession of rhymes, typical of the performances of mcs at hip-hop dances. the name of this record was: a. "1 million bottlebags" by public enemy b. “rapper’s delight” by the sugarhill gang c. "the message" by grandmaster flash and the furious five d. "california love" by tupac shakur (with dr. dre and roger troutman)

"im only a crack in this castle of glass" what band says this in one of there songs its a project for school dont report. im doing a project on music and bands.

Why were european influences dominant in early american music? select all answers that are true. check all that apply early religious, folk, and popular song traditions derived from mainland europe. early religious, folk, and popular song traditions derived from mainland europe. early settlers had little exposure to native american traditions. early settlers had little exposure to native american traditions. native americans preferred the new music shared with them by europeans settlers. native americans preferred the new music shared with them by europeans settlers. american settlers were exposed to european classical music through travel. american settlers were exposed to european classical music through travel. native american music was deemed primitive, and thus unworthy, by european settlers. native american music was deemed primitive, and thus unworthy, by european settlers.

Discuss the political message found in honoré daumier’s rue transnonian and explain how it relates to realism