Read the excerpt from heart of a samurai and then answer the question. eleven eyes. when at last he dared to look up, what he noticed was their eyes. each pair a different color: green as a stormy sea, blue as the sky, black as night, or brown as his own. one man had only one eye, and that one as gray as a cloudy day. the other eye was covered with a patch. there did not seem to be any tails, horns, or fangs among them. there were some alarmingly hairy faces and plenty of big noses, though! six big noses, in fact: one long and hooked, two long and straight, one squashed and wide, one turned up at the end, and another as big and red as a radish. based on this excerpt, what can readers infer about the stories the fishermen were told about the barbarians? the stories are completely true. the stories lack detail. the stories are completely false. the stories are exaggerations.

Which element refers to musically depicting the emotion in the words of a musical piece?

2.the bottom number of a time signature tells a. what kind of note equals one beat. b. how many beats are in the measure. c. how many measures are in the song. d. the tempo of the song 3. in the time signature 24, the is equal to one beat. a. half noted b. quarter note c. eighth note d. dotted half note 4. in compound meters, the beat is evenly divided . a. three b. five c. four d. two 5. in cut time a(n) equal to one beat. a. quarter note b. eighth note c. dotted quarter note d. half note 6. which of the following is not a dynamic marking? a. mezzo forte b. diminuendo c. alla breve d. pianissimo 7. are rhythmically equivalent to a half note. a. quarter b. whole c. sixteenth d. eighth 8. are rhythmically equivalent to a dotted quarter note. a. sixteenth b. quarter c. half d. eighth 9. to the degree of complexity of one or more musical parts that occur simultaneously. a. meter b. texture c. improvisation d. dynamics 10. which of the following pairs are not synonyms? a. alla breve, cut time b. meter, time signature c. note, pitch d. crescendo diminuendo

Gainsboroughs portraits ridicule and aristocracy